Entrusted with the conservation and restoration of more than 250 historical and ecclesiastical buildings, throughout the North East, Northumberland, North Yorkshire and Durham.
I place a strong emphasis on performance, quality, teamwork and a "hands-on” management approach to ensure client satisfaction. Clients include The National Trust and English Heritage. I also have strong working relationships with leading architects and other professionals engaged in conserving heritage.
Services
Select a category below to browse the range of services available and learn about the types of work I undertake.

Condition Reports
- Help with Listed Building Consents
- Planning Conditions & Building Surveys
- Building Fabric-Condition Reports
- Analysing Historic Fabric/Material
- Guidance on Repair Methodology
- Written Specifications

Stone Masonry
- Lime Mortar versus Cement Mortar
- Traditional Lime Pointing & Consolidation for Decaying Masonry
- Façade Conservation & Restoration
- New Stone Replacements
- Carved Stone

Damp Proofing
- Leaking Gutters and Broken Downpipes
- Poor Roof Repair and/or Maintenance
- Internal Renders and Plasters
- Impervious Cement Over-pointing
- Rising Damp and Salt Crystallisation
- Internal Dampness and Dry Rot
Condition Reports, Building Surveys and Consultation
Before any work is considered on a grade listed, or any traditional style building for that matter, it is imperative that a survey should be carried out to establish the nature of the building and the work that may be required.
Historic buildings, including grade I and grade II are very significant buildings and form a considerable part of our cultural heritage. These old buildings require sensitive conservation and restoration, with an understanding of their history and constructional form.
When working with old or historic stone buildings It is important to appreciate inappropriate alterations and repairs can cause damage to their character and construction. There are significant differences between traditional and modern forms of construction, and it is important to use appropriate repair techniques. Repair methods should be matched to the needs of a project, often a single project will require the utilisation of a palette of different materials and techniques. The overriding principle is to retain as much of the original building fabric as possible whilst ensuring that repair interventions are justified and carried out correctly.
New repair interventions should be sympathetic to the original construction and include the correct material and specification.
From initial consultation and expert advice given we can match materials like-for-like to your building fabric and our skilled craftsmen have the knowledge and experience to ensure your restoration, refurbishment or conservation project is carried out to our exacting standards.
A specification of the materials and a methodology of repair should be put forward for Listed Building Consent if the building is grade listed. If the building is not listed, then the same specification and methodology should be developed so that the repairs will not be detrimental to the existing masonry fabric.
We have the capability to carry out an initial assessment of the masonry fabric, identify potential problems that may exist and carry out an analytic material report which would lead to the specification of materials and methodology for your project. We can also liaise with local planning officers and help with Listed Building Consents (LBC).
And finally, we also have the capability to carry out the sensitive repairs that will be necessary to ensure your project is a success.
Masonry
Our services and Repair Techniques include; Façade refurbishment, including replacement of individual stones, carved stonework, redressing and repairing stone, structural pinning and lime mortar pointing and consolidation.
Lime Mortar versus Cement Mortar
Older buildings usually have a 'softer' form of construction allowing for greater structural movement and migration of moisture. Problems are likely to occur if maintenance is inadequate or when incompatible modern materials have been introduced. Hard cement mortars, plasters and renders can hinder the evaporation of moisture whereas traditional lime-based mortars allow buildings to breathe.
Figure 1 shows cement render that had previously been applied to the chimney and gable end of this property without considering the effects that cement would have to the masonry in the future. The cement renders locked in moisture which in turn caused a great deal of deterioration to the original underlying building fabric in which so many structural problems occurred.
Figure 2 shows the new stonework completed after the original stones were dismantled and the gable end was re-built. Whilst this intervention was necessary, it could have also been avoided by seeking out the services of a qualified and experienced mason.
Tradition Lime Pointing & Consolidation for Decaying Masnory
It has also been proven that cement pointing to solid traditional constructed walls traps moisture within the structure which can often lead to internal water ingress and masonry decay. Moisture becomes trapped because cement is impervious and blocks the natural drainage channels for moisture to escape. As a result, the stones remain wet and risk frost attack during the colder months. Additionally, trapped moisture brings salts that are not necessarily visible in solution but when the moisture dries out the salts crystallise and break down the pour structure of the stones which becomes noticeable as a powdery surface on the surface of the stones and if left the masonry will continue to decay through time.
Figure 3 shows an example where cement has been applied to re-point a solid traditional stone wall, the resulting stone decay is clearly visible.
Figure 4 shows the finished work after the cement has been removed, the decayed stones replaced and the whole masonry elevation has been repointed and consolidated with a traditional lime mortar.
Figure 5 shows another severe close-up of the effects that cement pointing has on traditional stone walls within a relatively short period of time.
Façade Conservation & Restoration
Enhance your property with a range of our face-lift techniques. The figures show a well-known masonry façade in Newcastle City centre. The client wanted to open this building and commence trading as a licenced bar and restaurant.
Figure 6 below shows a previous cement rendered repair designed to recreate the original architectural profiles of the stones that were previously lost through stone decay. However, in this case by removing the cement it would have caused excessive damage to the original building fabric and it would have been very costly to have had all the stones replaced. So, the decision was to give the Façade an aesthetic face lift instead. This was possible by repairing the existing masonry profiles with lime mortar and then painting the areas with a stone grain effect lime-based paint. This gave a fresh and new appearance to this elevation and the repair intervention was completely reversible with no damage caused to the original building fabric. Figure 6 and Figure 8 below show a specific area of this work, before and after intervention. Figure 8 shows the full elevation repaired and stone grained.
Figure 9 and Figure 10 show mortar repairs to a residential property in Newbiggin Northumberland. Again, cement render was the issue and is highlighted in Figure 9. The cement was trapping moisture within the walls and in turn led to damp in the property. After the cement render was removed the underlying stones were in a poor state of repair so a build-up of lime mortar render was applied and was lined out to replicate natural stone. The colour and texture of the lime mortars were carefully designed to match the existing stones. Figure 9 shows the cement render outlined in red before work began and Figure 10 shows what can be achieved with careful selection of materials and good craftsmanship.
New Stone Replacements
Stone Masonry conservation is usually undertaken to preserve or to limit loss of historic material, but, if a decision has been taken to replace a stone, it should have been on the basis that there was no other option available. However, a decision to replace historic fabric with new stone can be based on recreating lost architectural detailing, or simply because there are structural problems to consider.
Careful researching and recording of stone with attention to detailing of the original historic fabric ensures that all new stone replacements of missing parts integrate harmoniously with the whole but are also distinguishable from the original so that restoration does not falsify the original artistic or historic evidence. The following examples are where new masonry was chosen due to the structural integrity of the original and the loss of architectural detailing.
Figure 11 and Figure 12 show new stone replacements, the new stone was sourced to match as closely as possible with the existing stone geology. In Figure 11 only certain components were replaced since they were structurally compromised and could result in collapse of the object. By only replacing what was necessary we retained much of the original building fabric. It was not possible to retain any of the original stone to the chimney in Figure 12 due to the existing condition of the masonry. But by carefully recording the original chimney stones we were able to replicate the exact architectural detailing of the old and rebuilt this chimney with new stone to match what was there before.
Carved Stone
Figure 13 shows the upper cornice and corner stone which had a large crack running right through the centre of the stone. The stone weighed in at 850kg and was above the entrance of a well-known grade I historic landmark in Northumberland. The decision was taken to replace this stone due to safety concerns. Once the scaffolding was in place the detailing of the existing stone was carefully recorded and a crane was employed to remove the original broken stone. A new stone was then carved to the exact style and dimensions of the existing and then winched into place.
Figure 14 shows a grotesque that was hand-carved for a private client in Northumberland, the property was not a listed building, so we could add this piece through what we call artistic licence. The grotesque formed part of the upper course to the chimney stack and the grotesques eyes were set looking down to guard the entrance gates to ward off intruders.
Roofing
Our services and Repair Techniques include; traditional lead work, slating and roof joinery works.
Traditional Leadwork
The roof is a significant and important feature of any old or historic building and often have complex roof structures with hidden gutters and valleys.
The sources of problems may not be immediately visible and moisture saturation of roof timbers can sometimes lead to dry rot. To repair and protect for future generations it is imperative to use quality traditional materials and skilled heritage techniques.
We have specialist expertise in leadwork roofing applications which means we can accommodate all types of work on ancient monuments, historic houses, or listed buildings.
The quality of our workmanship ensures that excessive thermal movement does not occur and flashings on chimneys, parapets and abutments, which all require specialist and detailed leadwork is appropriate in dimension and design.
Traditional Roof Joinery & Slating Work
Our experience and award-winning skills have delivered a high standard of workmanship on all types of roof coverings, including stone slates, Welsh slates, clay pantiles, small clay tiles and lead. Furthermore, roof timbers are equally important, and we can restore or repair any historic or old timber roof.
Figure 2 shows roofless grade II listed stone building in a garden in Northumberland that had a new lease of life after the client decided to add a pitched roof to the structure. After local planning and consents were given, the roof was re-introduced to the structure. Figure 3 shows the timber roof in place after researching the original design structure, then in Figure 4 the new Welsh slate roof is added to ensure the building is wind and water tight.
Gutters & Downpipes
Problematic cornice gutters seen in Figure 5 below can be restored and become leak-free with lead work including new outlets and down pipes.
We can replace any size or shape cast iron or lead gutters, down pipes including bespoke items such as lead hoppers and the like seen in Figure 6.
Damp Proofing
Many damp issues that occur in solid masonry construction are normally attributed to defects such as leaking gutters and poorly maintained mortar joints that allow excess moisture into the core of the masonry fabric. Other factors include modern repair interventions like the application of external cement pointing work and the application of water sealers and paints. Internal modern Gypsum plasters and damp proofing methods which rely on injecting chemicals into the masonry fabric also attribute to damp in old buildings.
Inappropriate Modern Impervious Building Materials
Providing regular maintenance is carried out on historic masonry with appropriate materials such as repointing with traditional lime mortars and renders for the exterior and lime plasters internally, damp should not be a problem. The reason is quite simple, mass solid wall construction is designed to absorb water in heavy rain fall and then slowly release it during dry spells. This moisture management within traditional solid wall construction is normal and providing there are no defects or modern repair interventions, solid traditional masonry should remain dry, give years of maintenance free issues and last for a very long time, after all our British historic building stock of centuries old is a testament to this.
Fractured Gutters & Downpipes
The most common causes of stone decay lie with poor maintenance and this can contribute to internal dampness and discomfort for the occupier. Figure 1 and Figure 2 below shows a leaking drainpipe which was neglected at a church in Northumberland. The cost of replacing this down pipe would have been relatively cheap if someone had recognised the importance of this intervention. However, nothing was done over a period and water had begun to ingress through the building. Damp patches appeared over time and then a strange smell emitted from the floor. Unfortunately, the water ingress had rotted the timber floor joists and an outbreak of dry rot had spread through the underside of the timber floor.
After we got the call in 2017, the first job was to replace the down pipe to eliminate the water ingress however my client had no option but to instruct the stripping out of the timber floor and have it replaced, see Figure 3 and Figure 4.
For this work a simple back to basics approach was required and by replacing the internal plaster with a traditional lime plaster and raking out the cement to the external mortar joints and repointing them with a traditional lime mortar and, two years on, the building is now completely dry.
Rising Damp & Salts
Modern constructed cavity wall buildings are designed to keep water out of the masonry whilst traditional buildings of solid construction are designed to absorb and manage water through their mass. Water retention within traditional building fabric is sometimes known as the engine of decay, but it is not water that is the problem, it is what water carries with it.
Salts within masonry fabric are soluble when in solution and remain relatively harmless, however when the moisture dries out, salts crystallise and form on the surface of the stones. Frost is also a problem during the winter months and can also crystallise within the pour structure of the stones, both salts and frost can lead to disaggregation on the surface of the stones, this is known as stone decay.
Modern Damp Proofing Systems
Traditional buildings seldom have damp proof courses, they manage water through their mass structure. There is no requirement for modern expensive damp proofing treatments such as chemical injection or pastes designed to release impervious silicone fluids into the construction, nor is there a need for sprays to cure damp or rotted timbers.
Modern chemical injection systems rarely work in traditional solid construction and can be very detrimental to the masonry fabric and should be avoided. Figure 5 shows an internal column at a church in Northumberland. At some point in the past a modern chemical injection system was installed at low level to the column in the attempt to combat rising damp, see the drill holes at the bottom of the stone.
Salt is clearly visible above the chemical injection holes and has crystallised and dried out, above the evaporation zone. The expansion of salts on the surface of the stone has clearly blown off the surface of the stone at the only point where the moisture can escape. If the chemical damp proof course had not been installed the area below the salt contamination would have been able to breath and the subsequent damage would not have occurred.
Projects
Take a look at some of my stand out projects and explore each for more photographs and project detail.
St. Lawrence’s Church
Explore This ProjectA small but challenging project at County Durham’s St. Lawrence Church. The original Norman window tracery dated back to c1100 making the stones very old and of historical importance. The window was badly decayed and structurally compromised, but we did manage to conserve & replicate the original architecture before carving its replacement.
A small but challenging project and due to severe stone decay, the existing window tracery was structurally compromised. The original tracery was carefully removed after installing props above the window head. This was to ensure there was no collapse of the roof.
Careful recording of the original masonry fabric meant that we could replicate the original geometry of the window tracery to enable us to carve a new one. The difficult challenge of trying to replicate the geometry is sometimes very difficult due to the weathered condition of the existing however there were other windows within the same elevation of the church that were not quite as worn as this one.
By making wooden templates of the existing design we were able to hand-carve onto new stone, the new window tracery to the exact sizes in our workshop.
The completed window tracery was then brought to site and installed below along with the lintel head above and the side mouldings. The final picture below showing the completed window is a one to be proud of.
Seaton Delaval Hall
Explore This ProjectWorking on a building of this stature is both interesting and ethically challenging. Commissioned by George Delaval but designed by Sir John Vanbrugh, an architect of reputable capability (and his last work before death in 1726) is also considered to be his finest. Successful collaboration was key to this grand conservation.
Whilst at Seaton Delaval Hall working on a series of restoration projects, Brendan took the opportunity to display his craftsmanship and talk about his true passion in life; stonemasonry and the importance of heritage skills.
The first task following the completion of the internal scaffold was to brush down the stone and brick to identify any loose material or other potential problems within the fabric caused by the intense heat of the great fire, 1822 which left the building partially ruined. Then left untouched for nearly two hundred years so most of the stone showed some signs of heat damage, some beyond repair.
Phase 1; Lime Mortar Consolidation Works
The consolidation of all joints, cracks and gaps within masonry is usually a straight forward exercise. However at Seaton Delaval Hall we were working with 6 species of bats that were living in those spaces we needed to fill. As part of the National Trust site induction, all masons and site operatives were trained by ecologists to ensure the bats were not disturbed prior to filling gaps which concealed them. After taking all precautions, we filled the gaps and joints taking care to be selective with deeper cavities. The deeper cavities were left to allow bats to return to their homes following their summer holidays outdoors.
Phase 1; Structural Works to Stair Tower Corbels & Cornice
With scaffolding up, we were able to carry out a full investigation of the internal masonry. Rusting iron cramps, cracked and broken corbels and water ingress had left the internal areas in a poor state of repair. The repairs included pinning some of the masonry back together with stainless steel rods and resin, cracks within the masonry were repaired with mortar, and deep cavities within the masonry structure were grouted.
Phase 1; Structural Works to the Central Balcony
The central balcony within the Great Hall, was highlighted as a main concern during a structural survey carried out in November 2010. This was because only 3 of the 7 original corbels supporting the balcony remained; the rest presumably lost due to the fire and subsequent weathering.
Extra strength was added by cutting three channels in the concrete balcony floor to a depth of approximately 50mm deep and 30mm wide above the lost/broken corbels. Cranked at one end to 45 degrees the steel threaded bars were drilled into the main central hall wall and then resin bonded within the masonry fabric. The steel bars in now place gave additional strength to the balcony, we made good by carrying out an epoxy concrete repair to the surface of the balcony floor.
Phase 2; Consolidation to Urns, East Wing
Highlighted as a health and safety issue in both the building surveyor’s condition report and an earlier structural survey, the decorative urns were deemed to be extremely hazardous to the public. Their poor condition meant that huge sections of stone were teetering on the edges of the roof parapets, with the public potentially walking below. The following conservation work allowed for some new stone interventions/replacements, where structural damage occurred and replacement of the rusting wrought iron cramps and dowels that were previously installed to hold them together. The urns were then repointed and grouted with a suitable breathable mortar to match in with the original construction mortars.
Phase 3; Marble Floor
The central hall floor slabs were recorded in their original condition and location, then completely taken up and repaired. Pieces of slabs were sent for a petrographic examination to identify the materials, confirming the black slabs were Kilkenny Bituminous Limestone and the cream ones were Carrara Marble.
The whole of the existing presumed Vanbrugh lime screed underneath the slabs was very friable and was also dug out. A bespoke lime screed made on site from raw materials was then developed and used to replace the old one. The floor tiles were repaired by cutting a channel into the reverse side of the slab, and inserting stainless steel threaded rods, fixed with resin. A key consideration was that the completed floor repair conservation would retain the aesthetics qualities that tell the stories of the past centuries – patina, staining, texture, scorch marks from the great fire of 1822 which all contribute to the character of the floor. Therefore, a higher percentage of the original slabs were retained and not replaced through this method.
Warkworth House Hotel
Explore This ProjectOn the verge of ruin, previous modern cement repairs had played a big part in the decline of this significant Grade II* listed building. But after a full face-lift, this historic structure was restored to its former glory.
Warkworth House Hotel, Warkworth Northumberland. Built in 1820 as a Coaching Inn, the Grade-II (star) listed Georgian building is in the centre of Warkworth, Northumberland. The hotel holds a great deal of historical interest, and even contains a staircase, originally from Brandenburg House in London, which was home to the notorious rebel Queen Caroline of Brunswick, first cousin and second wife of King George IV.
This hotel stands in the centre of the popular village of Warkworth Northumberland, previously neglected to the point in which the exterior was crumbling from the roof, down to the basement. This was until the current owners saw potential in their business asset and began to put plans into action to conserve this Grade II (star) historic structure for future generations.
The owners of the building initially approached me and after a brief discussion I was commissioned to carry out a survey of the property. Once the access scaffold was erected a thorough examination of the building fabric was carried out and all defects were noted, photographed and recorded to form part of a condition report for the building.
Figure 1 shows the hotel before conservation work began in early 2019.
Every area of the building exterior was examined to see what works would be required and if they could be afforded.
Previously and in certain areas, the building fabric was so deteriorated that masonry fell from high level and ended up in the street below, fortunately no one was hurt. Figure 2 shows the large hole in the side of the gable after the masonry fell to the street. Whilst the building was being surveyed areas of masonry and the roof were being made safe.
After reporting on the condition of the building, a work repair strategy was formulated to consider what should be repaired or conserved and what had to be replaced. This building is a significant grade listed structure and therefore the aim was to preserve as much of the historic fabric as possible. So, that in mind, any repair works had to be justified and at the same time satisfy the local authority, with certain criteria met under Listed Building Consent. In areas where the original building stones suffered considerable loss of architectural detail, or where there were structural issues, stones would need to be replaced.
Where minimum surface damage was recorded these areas were conserved and repaired in a sympathetic way, however, the methodology of the repair technique and the materials used for the repairs had to be a like for like match to the original building fabric. Materials were sourced and put forward to the local conservation officer for approval, mortar trials were carried out and original masonry detailing was recorded on the existing building. Any new stone replacements were tooled to match the original historic building blocks, (see Figure 3) which is essential when working on historic structures.
Whilst the main goal was to preserve as much of the building fabric as possible the need to restore became necessary. This was mainly due to years of neglect and the use of modern Portland Cement for the repairs that had been carried out over the years. Figure 4 below shows the mid-gable in its existing condition between the upper and lower main roof areas. Portland Cement render had previously been applied to the stones which locked in moisture and this resulted in the whole area becoming structurally compromised to a point in which the gable end had to be dismantled and rebuilt. Additionally, the lower roof on the hotel was totally re-slated and new lead gutters were installed to the upper roof areas. Figure 5 shows the new roof replacement and the new stone gable and brick chimney.
New stone replacements were also required to areas of the front Façade and a full repointing to all areas with a traditionally prepared lime mortar. A total of seven new stone lintels were replaced above the windows on the ground and first floor bedrooms because the existing ones had cracked and were structurally compromised. Other stones to this elevation were also replaced and just about all the stones to the lower string course and above this area were replaced too, this was also due to the use of Portland Cement that had been applied to the lower masonry areas with the intention of curing rising damp.
The program of conservation and restoration works to Warkworth House Hotel was carried out between November 2018 and March 2019. The transformation of the hotel can clearly be seen in Figure 6 and Figure 7. However, in this case ‘A Stich in Time’ would have actually save nine, which makes regular building surveys worthwhile.
Beadnell Lime Kilns
Three lime kilns (the earliest built in 1789) are located at this site to the East of Beadnell Harbour. Repairs to the iconic Beadnell lime kilns were planned after concerns were raised about the dangers of the structure, following partial collapse of the most southernly kiln on the seaward side.
Black Barn
The last kown example of an original heather thatched roof in England, this project was grant-aided by English Heritage supported by Northumberland County Council and included provision for Heritage Skills Training through HSI, ran by North of England Civic Trust.
Coquet Island
Supported by English Heritage, NECT undertook a conservation assessment to determine what remedial works were required on a range of venerable structures to safeguard their future. The condition of the buildings on Coquet Island, and extreme exposure to the elements, made them an urgent priority for a comprehensive solution.
Lindisfarne Priory
The work completed at Lindisfarne Priory formed a second phase of a larger project designed to add longevity to the priory. A measured scope of consolidation and reapir works to the fabric preserved the monument for future generations to enjoy.
About
I am an accomplished Conservation Stone Mason and have been privileged to work on many of the country’s most prestigious buildings and ancient monuments throughout Great Britain; including Seaton Delaval Hall, Lindisfarne Priory and Hadrian’s Wall.
My career so far has taken me on an incredible journey, and I have a renowned reputation throughout the North East, Northumberland, North Yorkshire and County Durham for Stone Masonry Conservation. I have worked towards successfully removing five heritage buildings from History England's 'At-Risk' Register.
In September 2017, I resigned from my role as Managing Director at Team Force Restoration Ltd to return to the one thing in my life that I love most of all; Masonry.
With a Master’s degree in building conservation, gained at the University of York and a mallet and chisel in my hands I am now able to offer my services to private clients who require guidance and advice for historic masonry, building conservation and also masonry contract work, as well as providing continuous specialist heritage services for churches, building surveyors and architects.
And most importantly, I remain committed to ensure that the historic monuments and buildings in my care are well managed and maintained by following conservation principles that lead to sound judgement and ethics of which have been developed throughout my career.
Contact
07795 217 543
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Unit 5A, Willowtree Ind. Est.
Alnwick
Northumberland
NE66 2HA
Tales From Northumberland with Robson Green
Whilst at Seaton Delaval Hall working on a series of restoration projects, Brendan took the opportunity to display his craftsmanship and talk about his true passion in life, stonemasonry and the importance of heritage skills.
A new stone slab was placed in the front of the main building and he began to hand curve a lion's head as part of a public engagement exercise, to inspire future generations. The slab was later lifted into position to replace the cracked corner cornice stone to the front of the building.
He answered many questions as it is important that the public understand care must be taken to ensure that any interventions carried out represent good conservation principles.
Brendan passion is infectious there was lots of interest from public. It wasn’t long before he received a call from the television crew who were already on-site filming for the new series of ‘More Tales from Northumberland’ with Robson Green, asking Brendan to be part of the film making process. Robson was in awe at Brendan's skills. He made it look so easy that Robson decided to have a go himself.
Brendan Teasdale featured in episode 7 of 'More Tales from Northumberland' on ITV.
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